My work explores multimedia creation that weaves together dance and movement interactions. Crafting sites with choreographic undertones, I explore notions of embodied thinking across diverse mediums and practices such as choreography, sound, video, web, and immersive installations. I am inspired by subjects that engage with critical research, such as the industrialization of river systems and the parallels that emerge from ethnographies that speak to the fraying of our local & global social fabrics.
I work widely with dispersion relations; where with water and its interactions with light and sound, I explore the ways its refractions and surface rhythms can incite intimate, micropolitical, and poetic discussions about body environments and their affections.
My current research explores affective ecology, where sound and movement compositions are used to examine the harmony and disintegration of feedback loops in our planet's ecological sites of industrialization and extraction; tracing the relationship between art and apathy, materiality and decay, and the aural, luminary, and tactile possibilities of care in the Chthulucene.
I work widely with dispersion relations; where with water and its interactions with light and sound, I explore the ways its refractions and surface rhythms can incite intimate, micropolitical, and poetic discussions about body environments and their affections.
My current research explores affective ecology, where sound and movement compositions are used to examine the harmony and disintegration of feedback loops in our planet's ecological sites of industrialization and extraction; tracing the relationship between art and apathy, materiality and decay, and the aural, luminary, and tactile possibilities of care in the Chthulucene.